She bridges genres — classical (opera) training + folk/regional Persian songs. Her recordings are part of the pre-1979 cultural era of Iran, offering an important window into the music scene of that time. The revival/interest in her album (e.g., re-release of The Series of Music for Young Adults) shows growing international recognition of her work in “world music” and archival circles. Her dedication to preserving and interpreting regional folk songs gives her a special place in the cultural heritage of music.
The Series of Music for Young Adults: Folk Songs (1976) – a reissued LP featuring songs such as “Shekar Ahou,” “Mastom Mastom,” “Ghad Boland.” Various singles and folk-song recordings featured on SoundCloud and other archival platforms. Vocally, she uses classical technique (as an opera trained voice) but applies it to folk-melodies with regional modal systems, making her singing both technically accomplished and culturally rooted.
