Jamileh Fardin’s sister

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Above all, the Nagal relied on his imagination a great deal, to improvise according to the audience’s feedback and add to the original tales that he was reciting. He would also acquire inspiration from the images and pictures fixed on the walls – pictures of religious leaders, sport heroes, epic characters – and appropriate them into his narrative. The dominant themes in Nagali were epics depicted from Shah name [2] or the story of Alexander’s quest for the elixir of life.

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