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The year 85 was fairly good for Zayghami, which had not been released until then. With the screening of his park’s films and expatriates, his spell failed to show his films. Niusha Zayghami played the secret in the same year as the best female actor in the twenty-sixth Fajr Film Festival. After the release of the expellees, and in the 86s and 87s with quarantine films, reprisals and compulsory succession established their place in the cinema.
