Parvin Soleimani’s transition from theater to film in the early 1950s was a turning point for her career. Her debut in Toofan dar Shahr-e Ma (A Storm in Our Town) showcased her ability to adapt her theatrical skills to the screen, earning her early recognition and setting the stage for a prolific film. During the 1960s and 1970s, Soleimani played a vital role in the New Wave movement, which sought to redefine the cinematic language. Her roles in films such as The Postman and The Cow aligned with the movement’s focus on realism, social issues, and innovative storytelling.
Her radio performances displayed her exceptional control over vocal emotion — a testament to her early theater training and understanding of classical Persian storytelling. Natural expressiveness – portraying ordinary people with depth and dignity. Cultural resonance – blending traditional values with evolving social roles for women. Adaptability – working effectively in both pre-revolutionary and post-revolutionary cinema, adjusting her performance to the changing tone of Iranian storytelling.
