Beyond performance, he teaches and inspires younger musicians, ensuring the traditions of radif and folk melodies remain alive while evolving. Some of his concerts in Iran have been banned or abruptly canceled by authorities, reflecting ongoing cultural restrictions. Despite this, he continues to perform when possible and stresses that music belongs to the people, not politics. His difficulties obtaining residency in the U.S., and his wife’s struggles with visas, reflect broader issues faced by artists crossing borders in times of political tension.
Having lost much of his family during the Iraq War, Kalhor often channels grief into his music — giving it a haunting depth that resonates universally. Kayhan Kalhor’s story is not finished — he remains an active performer and creator. Born in Kermanshah, into a Kurdish family with a deep connection to music. Began playing the setar at age 5 before moving to the kamancheh, the bowed instrument that became his signature.
