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In addition to his studio practice, Aghdashloo has been a prominent voice in intellectual and artistic circles. Throughout the 1970s and 1980s, he was involved in the restoration of historical artworks and architecture, including invaluable pieces in museums and monuments. He has also published essays and books on art theory, Islamic art, and the Western canon, helping to educate both the public and younger artists on the importance of cultural preservation. He has long been a supporter of modern artists like Bahman Mohasses and Sohrab Sepehri.
