In addition to his studio practice, Aghdashloo has been a prominent voice in intellectual and artistic circles. Throughout the 1970s and 1980s, he was involved in the restoration of historical artworks and architecture, including invaluable pieces in museums and monuments. He has also published essays and books on art theory, Islamic art, and the Western canon, helping to educate both the public and younger artists on the importance of cultural preservation. He has long been a supporter of modern artists like Bahman Mohasses and Sohrab Sepehri.
Over the decades, Aghdashloo has mentored numerous young artists, many of whom went on to establish notable careers of their own. He taught art and aesthetics at several universities and cultural institutions in Tehran, emphasizing the importance of research, discipline, and cross-cultural understanding in the development of an artist. His mentorship was particularly impactful during the post-revolutionary period, when access to global art trends was limited. He helped foster an appreciation for European classical art, while encouraging students to explore rich artistic heritage.
