He danced on stages in Berlin, Paris, London, Rabat, and Washington D.C., where audiences were introduced to the dynamic beauty of folk traditions. Reports and testimonies from the time describe Sakhaei as a magnetic stage presence, someone whose solo dances could captivate audiences as much as full ensemble pieces. In several instances, he was chosen to perform for official state ceremonies, highlighting the trust and esteem placed in his artistry. Sakhaei’s repertoire included dances from many different regions. Each performance was carefully researched and rehearsed to reflect the essence of its origin while adapting to stage performance.
Kurdish dances, known for their dynamic footwork and strong communal energy. Azeri dances, with fast-paced, athletic movements that showcased his agility. Gilaki dances, highlighting elegance and the subtleties of northern traditions. As a soloist, he often infused his performances with a theatrical sensibility, making use of gestures and dramatic pauses to heighten the emotional impact of the dance. His background in theater gave him an advantage in this regard, making his performances memorable not just as displays of technique, but as stories embodied through movement.
