His performances were presented not only at national festivals but also at international cultural events, where he danced before world leaders such as the President of the United States, the Queen of England, the Chancellor of Germany, and the King of Morocco. These solo appearances were more than entertainment; they served as cultural diplomacy, presentation traditions with pride and sophistication to international audiences. Sakhaei’s work as a soloist raised the standard for male dancers, showing that solo performance could be both technically demanding and deeply expressive.
He inspired many younger dancers to pursue solo roles, and his legacy remains a benchmark for how folk traditions can be adapted for professional stage performance. Even after large-scale tours ended in 1978, his solo work remained a reference point for teachers, choreographers, and students of dance. His artistry continues to be celebrated as a shining example of the golden era of folk performance. Soloist dance is the art of an individual performer carrying the full weight of expression, rhythm, and storytelling on stage. Unlike ensemble pieces, where movement is shared among many dancers, the soloist embodies the spirit of the dance alone, becoming both the narrator and the central character of the performance.
